PURPOSE-BUILT, NOT REPURPOSED.
Having the rooms here means the people who write the script, design the set and cut the edit are in the same building as the camera. Content gets planned, made and finished in one place, which keeps the look consistent and the turnaround short.
A ROOM THAT KNOWS WHAT IT'S FOR.
Most spaces that get called a studio are a meeting room with a light in it. Someone has covered the window with a blind, the microphone is whatever was in the drawer, and the recording sounds like it was made in an office, because it was.
The podcast studio was built for it. Soundproofing, proper microphones, lighting already rigged and cameras already framed. Nothing has to be set up from scratch, so the quality is the same on a quiet Tuesday morning as it is on a big shoot day.
The broadcast studio is a different job entirely. It is the room we broadcast from, not one we film in. Transmission positions, vision mixing, graphics, VTs and titling, and remote contributors dialling in from wherever they happen to be. Whatever is happening, here or on the other side of the world, this is where it gets pulled together and pushed out live.
Here is how the studios usually get used.


PLANNING
Working out what needs making.
Content planned alongside the wider project.
Format agreed. Film, podcast, live, or all three.
Set and branding designed in-house.
Scripts and running order written first.
Studio time built into the schedule, not squeezed in.

MAKING
In the room, with the right people.
Multi-camera filming and interviews.
Broadcast-quality audio as standard.
Live streaming to whichever platforms are needed.
Graphics, VTs and titling run from the gallery.
Time to go again when it is worth going again.

FINISHING
Straight into the edit.
Footage with our edit team the same day.
Social cut-downs from the same shoot.
Formats for stage, web and internal comms.
One consistent look across the whole project.
Everything archived, so next time is quicker.
WORK WE'RE PROUD OF.
We work with teams who care about how their message lands, and how their audience feels in the room. The brief might be a 15-hour global livestream, a four-day multi-market programme, or a monthly store visit with a camera and a 48-hour turnaround. Different rooms, different pressures, same obsession with getting it right. Here's what that looks like in practice.

EA Offsite Takeover.
Global livestream
A 15-hour global livestream bringing remote teams together for an end-of-year celebration. We delivered end-to-end creative and production, concept, set, talent, content, filming and broadcast.
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KFC RGMFest 2026
Award-winning event
An award-winning event we've evolved year after year. 2026 featured a multi-screen show, bespoke content, full venue branding, agenda development and a live three-channel event radio station.
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Sainsbury's Periodic Updates.
Video content
Monthly internal video updates filmed in stores and distribution centres across the UK. We manage filming, graphics and fast-turnaround edits, delivering broadcast-ready videos within 48 hours.

KFC Global MPMs.
Global programme
KFC's largest global marketing event, delivering four days of content across 16 markets and multiple venues. A three-year relationship, and counting.
TELL US WHAT YOU'RE MAKING.
Fill in the form and we'll come back to you quickly, not with a generic auto-reply, but with something useful.
Prefer a call? Book a 20-minute discovery call at a time that suits you.
Rather email? studios@premier-ltd.com. Or just ring us: 0116 202 9953.
Once we hear from you, we'll set up a quick call to understand your brief properly, no lengthy questionnaires, no sales pitch.
We typically respond within two hours on working days.
QUESTIONS WE GET A LOT.
The podcast studio is a room you record in: clean audio and video, soundproofed, microphones and cameras already rigged. The broadcast studio is a room we broadcast from: vision mixing, graphics, titling and remote contributors, running the stream out to wherever it needs to go.
Yes, and to more than one platform at a time. We stream through our Vimeo Enterprise account as standard, but we will go wherever your audience already is.
Podcast series, interviews, leadership messages and social pieces get recorded in the podcast studio. Live events, webinars and internal broadcasts get run from the broadcast studio, whether the people on screen are here, at a venue, or dialling in from another country.
Usually, yes. The edit team is in the same building, so footage can be with them the same day. If you would rather cut it yourselves, we will hand over clean, labelled files in the formats you need.
Then we come to you. Plenty of our work happens on location rather than in the studios: offices, factories, retail, and on site at events.
What We Do.
Everything we do sits across two things: the creative that shapes the story, and the content and stagecraft that makes it run. Some clients need one. Most need both. Whatever the mix, the aim is the same, work that lands properly when the lights go up.
FOLLOW ALONG.
A look at what we're making, how we're making it, and the occasional thing that nearly didn't work. You'll find behind-the-scenes cuts, new projects going up, and the odd bit of studio life that probably wouldn't survive a client meeting. Straight from our Instagram, live on the page.




